1. Tesla Into The Now Cover Art Free

Tesla Into The Now Cover Art Free

• Into The Now 2004 Reunion Records Into The Now submit What A Shame submit Heaven Nine Eleven submit Words Can't Explain submit Caught In a Dream submit Miles Away submit Got No Glory submit Come To Me submit Recognize submit Only You submit; Into The Now submit What A Shame submit Heaven Nine Eleven submit Words Can't Explain submit Caught In a Dream submit Miles Away submit Got No Glory.
• Let's keep this short and to the point. This is the most amazing cd I've bought in years! I'm dead serious. I was a sort of casul Tesla fan back in the 90s and when I saw that they had a new CD out on amazon I thought i'd check it out knowing that Tesla always produces good quality stuff.

Classic hard rockers were one of those bands that reluctantly hitched a ride on the hair metal bandwagon of the late '80s, only to get bum-rapped on the early-'90s flip side when their career was undeservedly sunk alongside those flaming chunks of hairspray and mascara. Unable or perhaps unwilling to cope with culturally enforced grunge exile thereafter, the members of chose extinction instead, quietly going their separate ways after touring in support of their fourth studio album, 1994's understated.

Free Download Tesla - Into the Now (2004) Retail CD Covers and Album Art available on AllCDCovers.

The fact that they also resisted the temptation to join in the minor spat of pop-metal nostalgia heard in the late-'90s also speaks volumes about their true nature, and makes their eventual return with 2004's all the more worth investigating. And sure enough, for the most part, is a prototypical album: heavy, melodic, focused, and - when in doubt - understated. Indeed, like the songs that earned them millions in their heyday, new tracks like 'Look @ Me' and 'Heaven Nine Eleven' are perfect studies in reined-in virtuosity, their grooves and hooks ever spotlighting the essential strengths of the almighty song. The odd bit of synthesized drumbeats is the only visible concession to fashion (note its disappointing and pointless inclusion in the acoustic foot-tapper 'What a Shame'), but thankfully, gets dropped from the menu as quickly as it was added. Elsewhere, 'Words Can't Explain' locks into a pleasant Southern rock feel, 'Caught in a Dream' is a heartwarming acoustic ballad for the ladies, and 'Miles Away' is the album's grand, -by-way-of- mini-epic, its ample contrasts of light/shade and backdrop string arrangements eliciting flashbacks of 'Kashmir' almost as much as they do 'Die Hard the Hunter.' Vocalist is reliable as ever throughout, his voice sounding all the better for the nicotine ravages of time, while guitarists and resurrect their six-string harmonies in all their glory for the memorable 'Mighty Mouse' and the decidedly psychedelic 'Come to Me.'

In short, like virtually every album before it, takes the back door to one's perception, unassumingly sneaking up on you with the realization 'Hey! This is really good!' A classy comeback by a classy band, it's therefore practically guaranteed to please - not wow - aging fans with its time-warp sensibilities and authenticity of spirit.