• Whirlwind 10 Band Eq Bass Used Cars

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Whirlwind 10 Band Eq Bass Used Cars

1. Ironically, my last dedicated EQ pedal was the MXR 108 10 Band EQ. Fast-forward a half dozen years at least, and MXR is offering two updated versions: the M108S 10 Band EQ, and the M109S 6 Band EQ (the “S” signifies the sexy new silver color). With bright red LED lights for each slider, these pedals have the look to brighten up any pedalboard.
2. Whirlwind FXEQBP Perfect Ten 10-Band Graphic EQ Bass Pedal Features 1: INPUT JACK - Connect an electric guitar, acoustic guitar, keyboard or bass here. 2: OUTPUT JACK - Connect a cord out to your amplifier here. 3: 18 VOLT INPUT - Connect a 3.5 mm 18 Volt DC regulated supply, 100 mA capacity or greater with a center negative plug. The Whirlwind.

Pushing the bands louder than the incoming signal is pretty noiseless too, even on the higher frequencies. The build is surprisingly solid and the footswitch feels pretty robust. I've only had it for a few months so I can't comment on the durability past that.It works well playing in a noisy band - with two loud guitars and a noisy drummer, you can still very much hear the difference between the EQ being switched on and off.

It can give a super warm bottom end and if you're using a fuzz or distortion then the higher frequencies can really let that growl cut through the mix. It sounds decent on guitar too, but I've only tried that at home, not with others.Oh, and the lights are cool too, especially if you like having a colourful board. Can recommend for the price, certainly.

As I said, there are much better options IMO. I know it's hard to back off a product when it looks like the right pick.

Equipment is mixed and matched, and through trial and error, we’ll hopefully find that sound we like. New York-based Whirlwind released a pedal this year that allows players to fine-tune those found tones, all while working with any nuances of your equipment. The Perfect Ten is a 10-band, graphic EQ pedal utilizing a constant Q design.

I felt the same way, the 6 bands were a solid unit at the price point and even served well in (slightly) more demanding applications without adding anything unpleasant. Their parameters were quite useable, the sliders responsive and while not completely noiseless, it was close enough for any live situation and a few studio bits as well. The ten band was too noisy and fizzy to be practical in any of my application(s), even just playing at home alone, I couldn't fit it in with a Tweed and any type of single coils. In or out of the loop.

I s'pose if you're in strictly med to high gain territory you may not notice it, but I did. Click to expand.Perhaps I don't understand your question.

There are two additional controls on the ten band (than the 6), one for gain one for level. I set it up, generally as I did with the 6 band, adding the additional frequency parameters. I set the level (volume) at unity. I also didn't use it to increase gain, I set it up at unity, then tried cutting both volume and gain, together and one at a time (because of the noise).

I removed it and replaced it with the 6 band again, noted the freq settings, reinstalled the 10 band, copied the freq settings (again, adding the 'extra' 4), this time careful with the upper freqs because of the fizz.Not sure how else I could have set up it up 'properly'? In this case it's used to augment the single Tone control on my tweed. Since you originally asked about the noise, I thought that's what you wanted to hear about. Hey if you like it, buy it, but it didn't work for me and the others did.Either way, I went to the Empress Para EQ or a Dtar head top unit on that rig and am much happier.